No sh!t -- SHERLOCK!!!

Massive cause for celebration with the discovery of the completely stupendous British television series Sherlock, that dares to reimagine Holmes and Watson in 21st century contemporary incarnations. Created by Doctor Who scribes Steven Moffat and Mark Gattis, Sherlock is just fantastic on every level. It seems an idea doomed to failure, but works brilliantly well, a modern world filled with mobile phones and tweets in no way diminishing Holmes' abilities and eccentricities. This Holmes maintains a blog on deductive reasoning and consults for detective Lestrade -- and he needs a roommate! All the glorious tropes are there, 221B, Mrs. Hudson... Moriarty...but rendered in such a fresh way as to seem more true to the original Conan Doyle than any version in ages.

While there was a lot to like about Guy Ritchie's Sherlock Holmes, this series (3 90+ minute movie/episodes per season) is premiering on PBS currently and beats other recent versions by a mile, thanks largely to the stupendous casting. Benedict Cumberbatch as Holmes is a revelation. And most excitingly, Watson provides most of us our first look at Martin Freeman, recently cast (as last, officially!) as Bilbo Baggins in Peter Jackson's The Hobbit. This Watson is back from a traumatic tour in Afghanistan, and Freeman seems a perfect choice to embody Baggins the elder.

So on so many levels, this Sherlock is a true eye-opener and cause for great celebration among Conan Doyle fans everywhere. This first season is already available on Amazon but do enjoy them as they air over the remaining two weeks on PBS, Sunday nights. This is an inventive labor of love at the highest level -- you miss it at your peril, Watson!

Astonishment out of nowhere!!!

Highly anticipated fall movies? Hereafter? 127 Hours? Red? FORGET 'EM!!! The most amazing movie out there is one you've probably never heard of, the skeptically titled Monsters. This is one of the best, most inventive no-budget science fiction movies in ages.

Get used to hearing the name of director Gareth Edwards, as this is a case of two man crew using off the shelf software and equipment filming entirely on location -- often with no advance permission (astonishingly, the budget Edwards spent was only $15,000) and it looks like it cost millions. The cinematography, effects, editing (all Edwards) are simply top flight. Mark my words, you'll be hearing about this guy at the helm of a major tentpole studio picture very soon. Mounting a remake of Forbidden Planet? Need someone who can balance effects, suspense and always keep the human element at the forefront? CALL THIS GUY!

You may be tempted to think of this as District 9-inspired -- except Edwards never saw District 9 until after he finished Monsters. Moods attempted with Cloverfield and The Ruins are far surpassed here, with some escalating, seriously effective suspense -- and always unpredictable. So often you hear about a cool sounding Indie movie that has a nifty idea but upon viewing seriously disappoints (hello, Valhalla Rising) -- but Monsters exceeded my wildest expectations. And by no means is that because this is all effects-driven craft. If it was just that, I wouldn't be writing this. No, Monsters continually insists that the characters drive the film. That they be realistic and heartfelt and unpredictable. Just like everything else in this gem of a picture. Every time you think it's going to run off the rails and collapse or veer towards cliche, the movie makes a hard left turn and goes in the opposite direction.

Trust me, you won't see this one coming. Monsters is probably not a movie you've heard much about and I encourage you to keep it that way and charge in blindly. Let it knock you out of your chair.

Monsters opens in theaters next month, but incredibly it's part of a new (Comcast) OnDemand feature where it's available on cable before it's out in theaters! Amazing news for the babysitter-dependent movie fan who can't get to the theater as easily.

Whatever your venue, don't let anything keep you from experiencing this film. Monsters is on its way to bonafide classic status. It's simply an astonishingly inventive picture that never runs out of imagination.

The Omega Glory...

One is advised to tread cautiously when attempting to review a novel like The Passage. You certainly want to intrigue and convince people to dive in, but you don’t want to give anything away, either. So that said, the hole in this bed sheet is going to be awfully small…

It’s been ages since I’ve enjoyed a book this much. Justin Cronin is a new name to me. With a background that includes Pen/Hemingway and Stephen Crane awards, one can’t help but wonder what his tenured tweedy colleagues thought when they learned he’d gone over to the dark reaches of apocalyptic horror. And go over he did. Cronin has delivered a vast, compelling epic – the first of a proposed trilogy – that starts wonderfully small and reels towards no lesser a precipice than the very end of the world as we know it.

The Passage has the DNA of Richard Matheson’s I am Legend in its bones (more Charlton Heston's Omega Man than Will Smith) along with Stephen King’s opus The Stand. 28 Days Later and Let the Right One In may also echo in these hallways. But this is not some hybrid pastiche capitalizing on the current Stephanie Meyer/True Blood wave of renewed interest in things that bite. There’s no pale wallflowers here, no tween-friendly introspection. The Passage evokes what Peter Benchley did in Jaws, taking conventions you thought you knew and freaking you out in new and nightmare-inducing ways.

The events of The Passage will have you turning pages with the same ravenous fervor as the viral hoards within. As visceral and immediate as this read is, you may be taken aback at times by the effortless craft of the writing, the heart of the characters. You sign on for the duration immediately and the path Cronin takes to get there will satisfy and surprise you.

Director Ridley Scott is developing The Passage as a feature film. Let’s just say that Ridley has a lot to work with here. Here’s hoping he delivers the epic saga this book deserves. Make no mistake – I’ll be buried in book II the first day it comes out.

"Machete don't text..."

Danny Trejo looks like Charles Bronson would have if he'd spent a couple of years working out in a prison weight room and then fell into a cement mixer. A former San Quentin inmate turned actor, Trejo's badass charisma inspired Robert Rodriguez to deliver the mother of all Mexploitation faux trailers in Grindhouse, so incredibly cool it just had to be expanded into feature length.

Machete is the most satisfying time I've had at the movies since Avatar. Rodriguez is having the time of his life directing and like his Planet Terror half of Grindhouse, does an uncanny job of shooting and editing in full-blown early-eighties late-seventies style -- a guy completely in love with action movies, Machete is overflowing with references to other pulp movies, from Rolling Thunder to Cool Hand Luke and especially Mr. Majestyk.

Trejo is fantastic and carries the movie with incredible ease and conviction. Make no mistake, the movie is incredibly tongue-in-cheek (at times the tongue may even pierce the cheek), but Trejo is all business and the toughest guy ever to grace a movie screen since Vinnie Jones. He's old school antihero and a force of nature in a hysterical yet satisfyingly insane revenge fantasy. I give you my personal guarantee, you won't see a more gleefully violent movie this year.

Machete immediately gets started in high gear, delivering the best James Bond style origin prologue in ages, introducing Machete's arch-nemesis, Steven Seagal -- when you hear the sound effect Seagal's sword makes, you know you're in for a killer experience.

Michelle Rodriguez is terrific, but it's Jeff Fahey who steals the movie -- Fahey must have somehow travelled back to 1985 to shoot his part, how else to explain that his every freaking pore (and superbly gelled mullet) seem to radiate eighties villainous baddassery? He's fantastic to behold.

The one cringe-inducing part of Machete is the substantial role given to Jessica Alba. Her time onscreen makes for some rough-sledding, to be sure. But the movie moves at such a quick, violent and inventive clip, it's easy as hell to forget about her -- especially when Michelle Rodriguez comes back in the picture.

Machete delivers. If you've been pining for a REAL action movie that remembers when, cut off a slice and pass the peppers.

SONS!

Season two of FX's sensational Sons of Anarchy outlaw biker series exploded onto DVD/Blu-ray shelves yesterday. I called ahead to have my friendly retailer hold a copy for me, and it's a good thing that I did, as there was one lone copy left when I got there: "You're like the 30th person to get this today!"

If you're in withdrawal feeling all caught up on Dexter and waiting for the next go-round of Breaking Bad, this is your series! Hellboy himself, Ron Perlman, leads a fantastic cast of antiheroes. We discovered this series near the end of season 2 last year and promptly went and devoured all of season 1 on disc, getting severely hooked. We actually blew through 3 episodes in a row last night and the quality continues to rock and rock hard. Secrets and dark deeds abound in season 2, with an awesome guest turn from Henry Rollins as a scary white supremist.

If you haven't bit into Sons yet, fair warning -- you will get hooked. It's a terrific pulp saga that is as much of an outlaw as the characters it portrays. Season 3 starts next week, so get hopping! Look for a guest appearance soon by Stephen King, likewise a huge fan of the show!

Eyes-a-poppin!!!

As one of the snooziest summer movie seasons of all time is about to wind down, glimmers of what lies around the corner are starting to emerge! Check out two of the coolest looking trailers to unspool, post Comic-Con...

TRON LEGACY (link)

WOW!!! The Tron design aesthetic is crazy cool. Looks like a true modernization of that old goofiness from the original. If they pull it off, it could be akin to the contrast between the old and new Battlestar Galactica. Positioned right at Christmastime, if the buzz keeps building this could turn out to be a massive IMAX-fuelled hit.

SUCKER PUNCH (link)

Loved what I saw in here. Zak Snyder is a visionary cat and I will happily go on record to say that I think he deserves a medal for what he pulled off with Watchmen. Sucker Punch evoked Terry Gilliam’s Brazil as well as Sky Captain and the World of Tomorrow and seems completely immersed in surreal retro comic book eyeball drip. Pretty wild!

What say ye?

The unforgivable crime: missing this film...

Every now and then you see something so fresh and well made that it manages to immediately sink its claws into you, leaving no doubt that you're seeing a modern classic. The last time that happened was with the sensational Let the Right One In. It just happened again with A Prophet (Un prophète), the best thing to happen to crime and gangsters since season one of The Sopranos.

A Prophet has the raw vigor of Scorsese's Mean Streets and is such a refreshing lesson in craft and economy, it puts most recent films to shame. The Grand Prix winner at Cannes, A Prophet follows Malik (Tahar Rahim, in virtually every scene) from his first day in a French prison, where survival draws him into the service of an aging Corsican mafia boss, learning all the while, often at extreme peril.

French director Jacques Audiard must be flooded with offers after his work here. While very much an old school tale of hard boiled crime, the movie feels completely fresh and inventive and new. Malik may remind you of young Michael Corleone at times, though it may ultimately be DeNiro's young Vito (from II) whose footsteps he follows the closest.

PLEASE don't let the French subtitles and any lack of familiarity with Arab/Corsican culture keep you from seeing the best mob picture in ages. Imagine a really raw episode of Oz or The Wire blended with Goodfellas and La Femme Nikita era Besson and you'll have an idea of what lies in store. No opportunity is wasted, a lesson that Malik and director Audiard have both clearly mastered. Highly recommended.