Bond 24 has found their bad guy! In a particularly awesome bit of casting, Guardians of the Galaxy's Dave Bautista has signed onto the latest James Bond outing as the "physically imposing" bloke they've been looking for.
This is great news, as Bautista was a crowd-pleasing standout in Guardians, able to deftly move from comedy to carnage with the flexing of a bicep. He's got what it takes to help create the iconic henchman Sam Mendes and company have been looking for. "Spare me your foul gaze, woman!"
Monday, October 13, 2014
Walking Dead: The Terminated
Moderate spoilers below – recommend you turn back if you haven’t
seen the premiere...
AMC has got themselves a showrunner who delivers in Scott
Gimple – and how. He’s cracked the code of how to give fans what they want while
sending the show’s ratings into the stratosphere, delivering their highest numbers
ever with 17.3 million viewers (up 7% from last year), while increasing 6% in
adults age 18-49.
Sunday night’s 5th season premiere of The Walking Dead jumped right into the
thick of things Sunday night, manhandling viewers out of the boxcar into a
sequence that’s destined to be referred to as “the trough.” Easily one of WD’s most horrible and disturbing
openings ever – and it’s important to note that the violence isn’t perpetrated
by Walkers, but by human beings. Humans who've strayed so far off the moral map
that they now employ a casual, institutionalized brutality that makes their
actions all the more disturbing. A scene depicting the mass sorting of victim's clothes, watches and possessions conjurs up a chilling semblance of the Holocaust. As in-your-face as the episode began, it was
an unforgettable way to nail viewers’ attention.
I figured we’d be spending at least one or two episodes at
Terminus, but the survivors have left its smoldering ruin in their wake. What
may be most surprising is what didn't happen
last night, as the body count for Rick’s group was unexpectedly low – with a
couple of truly heartfelt reunions, placing all of these characters together in
one group for the first time since the prison fell.
Head means-justifier Gareth is clearly still out there – and it’s likely only a matter of time before Rick makes good on his promise there. We also saw that someone else is back, too – in a very surprising reveal that popped up after the episode’s end credits. So without a doubt, a smashing return for fans of The Walking Dead, as Gimple and episode director Greg Nicotero pushed and pushed hard, to deliver an unforgettable episode that’s got us primed like mad for what comes next.
West coasters – in the past, AMC has always had their west
coast feed show the series earlier than the normal 9:00 PM broadcast, keeping in
line with the east coast feed, allowing viewers to capture it on their DVRs and
watch it before the 9:00 airing. For the premiere, we had to wait ‘til 9:00 –
but looking ahead to next week, they’re showing episode 5.2 first airing at
6:00 PM Pacific, so the 9:00 airing was just for the premiere, and to accommodate
the lead-up of the season 4 marathon. Adjust your DVRs accordingly.
Scott, Greg – thanks, fellas. You let us all know without a
doubt that you’re open for business – and business is good.
Saturday, October 11, 2014
The Dead Are Back Sunday Night!
Just a quick reminder - like you needed one - that you'd better set the DVR, as Sunday night heralds the long-awaited return of AMC's The Walking Dead, embarking on their 5th season.
Last season ended strong, and left Rick and company in a position that needed dealing with pronto. From what I'm hearing, it sounds like we'll be hitting the ground running tomorrow night: "It's been incredible," according to series star Andre Lincoln. "I think the returning episode is one of the strongest we've ever had. When we all read it, we just thought it had everything."
PR is PR, but that sure sounds promising as hell. The series has really hit its stride, and they've been letting character and conflict lead the way. I'm very excited to see what goes down at Terminus, and it seems a pretty safe bet that we're going to get a pretty intense collision of boxcars and brisket.
Last season ended strong, and left Rick and company in a position that needed dealing with pronto. From what I'm hearing, it sounds like we'll be hitting the ground running tomorrow night: "It's been incredible," according to series star Andre Lincoln. "I think the returning episode is one of the strongest we've ever had. When we all read it, we just thought it had everything."
PR is PR, but that sure sounds promising as hell. The series has really hit its stride, and they've been letting character and conflict lead the way. I'm very excited to see what goes down at Terminus, and it seems a pretty safe bet that we're going to get a pretty intense collision of boxcars and brisket.
Thursday, October 9, 2014
Alien Queen rocks NYCC!
Check out her enormousness! NECA brought their new Deluxe Alien Queen to New York Comic Con! Check her out in scale to the other 7" Colonial Marines...
I'm gonna need a bigger shelf!
Wednesday, October 8, 2014
Homeland is back - in a good way
After an incredibly frustrating third season, I feel that after Sunday night's two-hour fourth season premiere, Homeland is back - at least the Homeland that got under our skin and made us scratch for more.
While Brody may be gone, his ghost definitely lingers. Without giving anything away, Carrie has a new post in Islamabad and she's as aggressive and determined as ever - and possibly just as nearsighted. The fourth season opener gives us a lot to enjoy and doesn't waste any of our time. A judgment call goes horribly wrong, Corey Stoll (may you never wear another galling toupee) joins the participants in a very effective bit of casting, and we're knee-deep in a Middle East plot that not only reflects real world U.S. involvement, but thankfully seems to be taking steps towards making its Muslim characters into well-rounded, stereotype-confounding people.
Immersing Carrie - and us - into the front line gamesmanship of overseas intelligence gathering bodes well for the direction this season is pointing. We're seeing fan favorite Quinn (Peter Friend) get a much more high profile (and conflicted) role, and in one of the more fascinating moves, the showrunners are taking the situation involving Carrie's child and instead of succumbing to the "oops" pitfalls of suddenly appearing offspring that torpedoed the dynamics of Dexter and Breaking Bad, Homeland is dealing with Carrie's new role in a frankly audacious and disturbing way that serves not only the plot, but Carrie as a character.
A premiere is only the tip of an iceberg, but from the evidence on hand, it really feels like the creators of Homeland have not only listened to their fans, but also looked keenly at the world at large, as well as taking the time to look within.
While Brody may be gone, his ghost definitely lingers. Without giving anything away, Carrie has a new post in Islamabad and she's as aggressive and determined as ever - and possibly just as nearsighted. The fourth season opener gives us a lot to enjoy and doesn't waste any of our time. A judgment call goes horribly wrong, Corey Stoll (may you never wear another galling toupee) joins the participants in a very effective bit of casting, and we're knee-deep in a Middle East plot that not only reflects real world U.S. involvement, but thankfully seems to be taking steps towards making its Muslim characters into well-rounded, stereotype-confounding people.
Immersing Carrie - and us - into the front line gamesmanship of overseas intelligence gathering bodes well for the direction this season is pointing. We're seeing fan favorite Quinn (Peter Friend) get a much more high profile (and conflicted) role, and in one of the more fascinating moves, the showrunners are taking the situation involving Carrie's child and instead of succumbing to the "oops" pitfalls of suddenly appearing offspring that torpedoed the dynamics of Dexter and Breaking Bad, Homeland is dealing with Carrie's new role in a frankly audacious and disturbing way that serves not only the plot, but Carrie as a character.
A premiere is only the tip of an iceberg, but from the evidence on hand, it really feels like the creators of Homeland have not only listened to their fans, but also looked keenly at the world at large, as well as taking the time to look within.
Monday, October 6, 2014
Star Wars Rebels gives good déjà vu
Star Wars Rebels premiered on Disney over the weekend, and I admit I had some trepidation. But after watching the pilot, Spark of Rebellion, I'm liking what I saw, and believe we may have a creative team here that's determined to return The Force to Star Wars.
Teen "street rat" Ezra Bridger is an orphan, a scavenger and a thief. When the cargo of one of his heists has other interested parties, Ezra meets Kanan, Hera, Zeb and Sabine - the crew of The Ghost, a group of ragtag rebels with a strong Firefly vibe.
The group quickly runs afoul of the Empire, and what grabs your attention here are two things - the smart choice of setting this series in the time period between Episode VI and the original Star Wars, we're much closer to the events of Luke and Leia, both in timeline and in tone.
The production also looks spectacular. Much of the designs on view in Rebels are based on the artwork of Ralph McQuarrie, and nearly all the music queues are lifted right out of Star Wars, often to very successful effect. Rebels looks and feels like Star Wars, with TIE fighters and Stat Destroyers a-plenty. While a member of the Ghost's crew is one of the few remaining outlaw Jedi, it becomes clear that Ezra is strong with The Force himself - in ways he's barely begun to discover.
The characters in the pilot are pencil sketches - we don't even meet the primary villain The Inquisitor until the final scene. But there's a nice story here and what feels like a good dynamic emerging. There's a joy of discovery and even a little awe that was often missing from The Clone Wars series. It would be a mistake to dismiss Rebels as "just a kid series," though for the most part, the story seems kid-friendly so far. Star Wars fans should definitely check out this return to form and give it a shot as the suspense builds towards Episode VII next year.
Friday, October 3, 2014
Widescreen Star Trek!
Like many sixties TV shows, the original Star Trek had plenty of panning shots, where the camera followed the action across a scene. Check out the work of Nick Acosta. By cutting together HD screencaps, he's created some truly epic widescreen panorama shots that suddenly give classic Trek a sweeping, Cinerama vibe! Check out the full gallery at Nick's website!
Subscribe to:
Posts (Atom)









