Friday, May 30, 2014

75% Marvelous End of the Week Wrap-Up!

Sorry for the scarcity of posts lately, but I've been finishing a writing project that took nearly every atom of free time. So what's been going on in the big wide world? Surprisingly, Edgar Wright departed Marvel's Ant-Man, where he'd been attached for ages. The whole "differences in vision" routine, with it sounding like a lot of covert script meddling being the culprit. In a class move, Joss Whedon tweeted this Cornetto-wielding pic of solidarity upon hearing that Edgar had left the production. No substitute has been named yet, though Marvel/Disney claims they're on track to release the film in 13 months. Wright's eccentric take being gone is a major blow.









After threatening to abandon his Hateful Eight western after Gawker.com leaked his script, a successful mother-of-all table readings has revealed that Quentin Tarantino is going to shoot this new saga in Wyoming this November with one hell of a cast, including Bruce Dern, Michael Madsen, Samuel L. Jackson, Kurt Russell, James Remar, Amber Tambly, Walt Goggins and Zoe Bell. Sounds like an amazing snowbound bounty hunter yarn, taking place in one remote, claustrophobic location.








Mark your calendars, Captain America: The Winter Soldier will debut on blu-ray September 9th. This time Marval is forgoing the One-Shot short film that has accompanied so many of their recent home video releases. Sounds like there's plenty of behind-closed-doors mayhem going on at Marvel these days. If The Winter Soldier doesn't make you confident, then I don't know what will!










Finally, word's just arrived that James Brolin will voice ubervillain Thanos in Guardians of the Galaxy and presumably any of several other Phase II or III Marvel films where Thanos makes his presence known, including Avengers: Age of Ultron. Nice call, fellas.




Don't forget, Sunday night sees the first of the final three episodes of this season's Game of Thrones, which all promise to be doozies. You'll want your popcorn for the first episode's epic smack-down with Gregor "The Mountain That Rides" Clegane!

Have a spectacular weekend, people!


Wednesday, May 28, 2014

Jurassic Yawn: Godzilla Lumbers Through the Motions...

Sigh. It pains me to say it, but Gareth Edwards' Godzilla is a crashing bore. I'd really been rooting for Edwards to cement his reputation after his terrific debut with the micro-budgeted Monsters but as valiant an effort as Godzilla tries to be, Edwards' vision and his enthusiasm for his beasts is weighed down by a screenplay that takes forever to get out of first gear, and a leaden cast that's woefully in need of charisma. With Bryan Cranston on board, I was all set for Godzilla vs. Heisenberg, but Cranston's appearance in the picture is all too brief, leaving things to trudge onward with his son, beefily inhabited by a frequently mouth-breathing Aaron Taylor-Johnson. His Ford Brody is a military family man with a young son and a doe-eyed wife/nurse played with earnest emptiness by Elizabeth Olsen. Ken Watanabe is the pseudo-scientist trying to help unravel the mysterious seismic catastrophes that herald the arrival of long-dormant M.U.T.O. - "Massive Unidentified Terrestrial Organisms." Ford spends the entire movie trying to reunite with his family while exhibiting a complete absence of self-preservation.

The opening credits are slick and attention-getting, combining a fast-moving series of newsreel headlines and redacted text fraught with mystery and foreboding. The movie these credits promise takes at least ninety-minutes to get there, when finally, finally we get to see Godzilla himself throw-down with the Cloverfield-critter nemesis that turns Hawaii and San Francisco into F.E.M.A. disaster areas. The third act of Godzilla is fairly entertaining, with some impressive visual effects and the dynamite H.A.L.O. sequence we've all seen in the trailer. Kudos to the second unit guys and the animators - the screenwriters and the cast, not so much. Some of the performances are so leaden it's hard to believe you're seeing the best take available.

Edwards can handle visual effects and conveying fantastical events in a realistic way - which may be part of the problem, as he seems so intent on keeping a serious tone, that a plodding sense of boredom ensues, which only Godzilla himself helps dispel in the finale - the human characters certainly don't. There are never any moments of genuine fun and eruptive glee - Edwards could learn from Pacific Rim on that score, an infinitely more entertaining movie. Godzilla's characters make Independence Day seem like Richard III.

Edwards is moving on to a Star Wars spinoff movie and will eventually direct a Godzilla sequel. The best thing he can do is scrap this cast and have fresh screenwriters give us an entirely new roster of characters - ideally, someone we can actually care about.

Monday, May 19, 2014

The Great Gordon Willis: One Last Shadow

Legendary cinematographer Gordon Willis - who helped define the look of 1970s cinema - has passed away at the age of 82. Known as The Price of Darkness for his fondness of employing shadows, Willis shot The Godfather, Annie Hall, Manhattan, Klute, The Paper Chase, The Parallax View and All the President's Men, among his many other credits. 

Willis had a rich collaboration with Woody Allen. In addition to the two films mentioned above, he also lensed Interiors, Stardust Memories, The Purple Rose of Cairio, Broadway Danny Rose and Zelig. From Roger Ebert's review of Manhattan, stunningly captured in black and white: "All of these locations and all of these songs would not have the effect they do without the widescreen black and white cinematography of Gordon Willis. This is one of the best-photographed movies ever made… Some of the scenes are famous just because of Willis’ lighting. For example, the way Isaac and Mary walk through the observatory as if they’re strolling among the stars or on the surface of the moon. Later, as their conversation gets a little lost, Willis daringly lets them disappear into darkness, and then finds them again with just a sliver of side-lighting.” 

Born in New York, Willis was one of the true artists of cinema - a painter of film - who helped directors find moments that elevated their vision beyond technique into something iconic. His images will be part of cinema's landscape of the mind forever. 










Friday, May 16, 2014

Bang! Flop! It's Summer Movie Season!

Welcome to summer! With Memorial Day in sight, we’re two tentpoles into the madness that is summer movie season.
It’s been an interesting start. The Amazing-Spider-man 2 opened to very lackluster reviews on May 2nd – it’s currently showing a tepid 53% rotten on Rotten Tomatoes, having earned $153 million in two weeks, opening at $91 million. Nobody seems very excited about it.

Last week’s Seth Rogen comedy Neighbors dethroned Spidey in its second weekend, with $49 million. It’s 73% fresh on Rotten Tomatoes.

Now we’re getting serious. This weekend brings Godzilla, which is earning decidedly mixed reviews. Empire gave it 3 out of 5 stars and Entertainment Weekly’s score of B-minus seems pretty representative. It debuted on Rotten Tomatoes in the low 80’s, but has dropped down to 73% fresh – still not that bad. The behemoth did pretty well last night, pulling in $9.3 million from Thursday night showings. Given Spidey’s drop-off and the potency of their trailers, Godzilla should be fairly review-proof and ought to nail at least $80 million this weekend. It’s still one of the most anticipated pictures of the summer, so $100 million isn’t out of the question. Counter-programming should benefit Jon Hamm’s Million Dollar Arm, but the 54% rating on Rotten Tomatoes is pretty weak for what Disney called their best-testing movie ever.

Will Godzilla capture the pop culture imagination, despite the restraint of some reviews? The second half supposedly packs quite a wallop. I know I’m still excited to see it (though I’ll skip the 3D, thanks). It’s too soon to tell, but it feels like we have yet to see our first real milestone picture that defines summer 2014.

Next week sees X-Men: Days of Future Past unleashed at the box office. Promotion for the film has been diluted by the turmoil surrounding accusations involving director Bryan Singer. It’s very early with only 18 reviews so far, but Rotten Tomatoes currently shows it with a whopping 94% Fresh. Even if that drops off, X-Men seems poised for a great Memorial Day weekend.

That’s the lay of the land so far! So go help the big fella earn some respect this weekend! One thing’s for sure, summer’s just getting started…!

Thursday, May 15, 2014

Blade Runner sequel still looking to replicate success

In an unusually public move, Alcon Entertainment has announced they have an offer out to Harrison Ford to appear in director Ridley Scott's sequel to Blade Runner. Original co-screenwriter Hampton Fancher has written a script with Michael Green that it sounds like Alcon's pretty high on: "We believe that Hampton Fancher and Michael Green have crafted with Ridley Scott an extraordinary sequel to one of the greatest films of all time.We would be honored, and we are hopeful, that Harrison will be part of our project," is the word from Alcon's Andrew Kosove and Broderick Johnson.

Scott committed to direct back in 2011, but he keeps so many projects aloft, it's easy to imagine his interest drifting elsewhere, particularly after some of the reactions to his revisiting his other previous franchise, with Prometheus. He may be gun-shy of more fan rancor. Ford, on the other hand, has recently jumped back into his Han Solo role for J.J. Abrams in a very high profile way, seemingly game to revisit his classic characters. The story details to this sequel are still unknown, other than it being set decades after events of the original, which took place in 2019...only five years from now!

Wednesday, May 14, 2014

Sad News: Searching For Sugar Man Director Malik Bendjelloul

Malik Bendjelloul, Oscar-winning director of the documentary Searching for Sugar Man, has passed away at the age of 36. Bendjelloul's brother told a Swedish newspaper that the filmmaker had taken his own life and that he had been struggling with depression. 

I'm a huge admirer of Bendjelloul's Searching for Sugar Man, easily the best music documentary I've seen. He struggled mightily to make this movie, about the rediscovery of legendary folk musician Sixto Rodriguez. He shot most of the picture on Super 8, then when he ran out of money, resorted to shooting the remainder on his iPhone with a $1.99 app. The results won the Academy Award for Best Documentary. Bendjelloul was determined to complete the project, saying, "it is the best story I have ever heard in my life, and I think I will ever hear."

I'm lucky enough to have tickets to actually hear Sixto Rodriguez play in a couple of weeks.
It's going to be a little bittersweet...

Tuesday, May 13, 2014

FIRST LOOK: Batman and Batmobile!

Feast your eyes!!!! Definitely looks promising. Smaller ears, much more akin to the look we've had in the comics lately. Hopefully a wider shot of the Batmobile will be coming soon!











H.R. Giger Dies in Switzerland

Iconic Swiss artist H.R. Giger - designer of the classic biomechanical Alien creature - has died at the age of 74, after injuries suffered during a fall down a staircase in his home. Giger's work showcased surreal hybrids of biological and mechanical forms that crossed into the mainstream with Ridley Scott's Alien in 1979, which earned him an Academy Aware for Best Achievement in Visual Effects.

Monday, May 12, 2014

New Batmobile About To Peel Out!

In a nice attention-getting move, director Zak Snyder tweeted this tease of Batman vs. Superman's new take on the Batmobile, along with the additional seed that, "Could be time to pull the tarp. Tomorrow?" We'll see if Snyder ponies up tomorrow with the full reveal. Stay tuned!

Friday, May 9, 2014

Snowpiercer Heading For a Station Near You!

There's been much anticipation about Snowpiercer, adapted from the French graphic novel and directed by Bong Joon-ho (The Host). Embroiled over final cut with The Weinstein Company, Bong held his ground and it's his cut we'll be enjoying on June 27th. A post apocalyptic saga of class warfare on an insane train that circles the globe, Chris Evans, Tilda Swinton and Ed Harris are among the cast. The film has received massive good word wherever it's played and should be one of the unexpected but more memorable hits of the summer. Feast your retinas:

Wednesday, May 7, 2014

Figure Update! Apes and Walking Dead!


Lots of new figure images this week, so feast your eyes! Some spectacular close-ups of NECA's new Planet of the Apes line. Just look at those sculpts! Cornelius is astonishing. These should show up sometime in August.

Further down, we have wave 6 of McFarlane's Walking Dead series, due in October. There's a brand new sculpt of Rick - much more realistic. Hershel and Carol are the other standouts, with Long Coat Governor, Abraham and "Bungie Guts" Zombie rounding out the wave. Still hoping we see a Lori figure at some point.







Tuesday, May 6, 2014

The Raid Opens Up a Can of Whoop-Ass!

Wow, am I ever late to the party. Incredibly, I only just got around to seeing The Raid: Redemption. How behind is that? The sequel just came out!

The plot is straightforward - even familiar: a tactical police unit lays siege to a huge slum tenement fortress, lorded over by a ruthless drug boss. They're barely inside when they're attacked and cut off, having to fight their way through bad guys, one floor at a time.

The Raid's influences are many: Enter the Dragon, Sonatine, Oldboy, Infernal Affairs, Assault on Precinct 13, Police Story, Hard Boiled - hell, anything by John Woo. Visceral and unhinged, The Raid easily makes a lasting place for itself alongside those predecessors. It's not a film to get all Pauline Kael about. The Raid is howlingly lapel-grabbing action cinema - at the 38 minute mark, director Gareth Evans unleashes what may be one of the greatest martial arts sequences of all time, as police officer Rama (Iko Uwais) practically explodes on a nearly endless stream of machete-wielding thugs. Edwards does an amazing job of keeping the camera inconspicuous and the fighting over-the-top insane, yet somehow wincingly convincing. There are lots of wide shots and unusual perspectives, with the hand-to-hand (and hand-to-blade) combat unfolding at dizzying speed. This movie wants you leaping to your feet, gasping, shaking your fist and screaming with your fellows. It's not recommended for anyone with a heart condition.

The music really captures that early nineties John Woo flavor (Joseph Trapanese and Mike Shinoda of Linkin Park) and again, evokes Carpenter in nods that perfectly match the drab, shadowy corridors.

If the plot of The Raid sounds familiar, it's damn near identical to Dredd - which sounds like it's just a coincidence with no cause to cry foul, given the timelines of both productions. But the violence is so off the charts, Paul Verhoeven might blush. Fast moving, inventive and just fun, The Raid: Redemption is a welcome throwback to Friday night at the grindhouse - it's a movie to yell at and be blown away by. By all accounts The Raid 2 is every inch the movie this one is, maybe even surpassing it. As Rama's most fearsome nemesis, check out Yayan Ruhian as Mad Dog. Like a cranked up Charles Bronson, he creates an impression that should guarantee him all the work in action movies he can stand - plus, he and Uwais designed all the fight choreography.

Do yourself a favor and drink deep - The Raid's a keeper. Now I gotta find that sequel...!

Saturday, May 3, 2014

Milius: The Renegade Still Rides!

"Do you feel lucky?" "I love the smell of napalm in the morning." Two bits of dialogue that became timeless components of pop culture, capturing an era - both written by John Milius.

If you're an admirer of seventies cinema, of course you know Spielberg, Lucas, Scorsese - they were comrades in arms. But you may not know the black sheep of their fold, the maverick - John Milius. Milius is a tremendous documentary from directors Joey Figueroa and Zak Knutson that does a remarkable job of showing us how truly indelible a mark John Millius left on Hollywood.

A master storyteller responsible for some of the most memorable dialogue in a legion of popular movies, many of which he never received credit for. Dirty Harry, the Indianapolis speech in Jaws, Ramius' monologues in The Hunt For Red October. John Milius came up with Lucas and Spielberg, but was cut from very different cloth. He created a persona for himself of an arch reactionary conservative - a board member of the NRA, a self-proclaimed "Zen Anarchist," a man who'd walk into a meeting with a studio executive brandishing a .45. Milius was always a larger than life character - who just happened to write some of the best screenplays in Hollywood history, including his opus, Apocalypse Now. Jeremiah Johnson, Dillinger, The Wind and the Lion, Big Wednesday and Conan the Barbarian. Milius was a writer-director who marched (definitely marched) to his own tune - a militaristic figure in a liberal town where such behavior is the kiss of death. His work on Red Dawn saw him essentially black-listed for years, going long stretches without a decent project.

Milius shows us everything, warts and all, and is easily the best Hollywood documentary since The Kid Stays in the Picture. Milius features interviews from nearly all of his contemporaries, including Paul Schrader, Oliver Stone, Scrosese, Spielberg and Lucas. It does a remarkable job of showing us the entire range of Milius' career, as well as reminding us of the titanic influence he's had on American cinema.

His later years have seen some cruel blows and adversity, including his best friend and accountant embezzling nearly all of his money, as well as a stroke that's left him struggling to regain his speech. It's been too easy to dismiss Milius as a Republican gun nut, a fringe fascist who's out of touch with modern show business. Milius is a great monument to the wide, long-reaching body of work this uniquely American storyteller has created. It also makes you wish that somehow, he'll find the path enabling him to give the world one last amazing story of renegades and conflicted heroes who feel compelled to search upon the road less traveled.

Milius is available on Amazon instant video.

Friday, May 2, 2014

End of the Week Wrap-Up!

The weekend is upon us, so it's time to wrap up all the latest news and buzz before we all hurl ourselves like lemmings over the thresholds of our nation's comic book shops tomorrow!

Locke - This British micro-budget indie starring Tom Hardy is garnering tremendous reviews. Hardy is the only actor who appears onscreen in this tightly contained drama of a man driving from Birmingham to London. It's Hardy in the car, having a series of hands-free phone conversations as he desperately grapples to keep the pieces of his life from falling apart. By all accounts Locke (directed by Steven Knight) creates an atmosphere of relentless tension that makes it impossible to look away.

Doctor Who alum Matt Smith joins Terminator: Genesis - some savvy casting on this new Terminator reboot. Director Alan Taylor (Game of Thrones, Thor: The Dark World) has already got Khaleesi (Emilia Clarke) as Sarah Connor, so bringing aboard a Timelord will expand the nerd appeal even more! All we know is that Smith reportedly plays "a new character with a strong connection to John Connor."

David Goyer writing Fantastic Voyage - If you've never seen Fantastic Voyage, it's a knockout! James Cameron has been trying to shepherd a remake for years, with directors such as Paul Greengrass coming and going from the project. Goyer will bring his recent Dark Knight and Man of Steel chops to the table. Here's hoping they nail this most recent draft - though you're never going to top the design of the original Proteus, fellas...

Woody Allen casts Joaquin Phoenix - Woody must have loved Her, as he's nabbed Joaquin to star in his next film (about which nothing is known), which will commence shooting after Magic in the Moonlight opens, with Colin Firth.

New adaptation of Richard Matheson's Hell - "The Mount Everest of Haunted Houses." The great Richard Matheson wrote the novel that became the awesome 1973 Legend of Hell House with Roddy McDowell. Now the folks over at Fox are looking to give it The Conjuring treatment. Stick to the source novel, gang, and you can't lose. A truly chilling read!


That's a wrap for Friday, friends. Don't forget, Saturday is Free Comic Book Day, so grab some coffee and get out there nice and early!