Sunday, May 21, 2017

Alien Covenant: L'eggo My Eggo!

These are interesting times. Some of the most anticipated films on the horizon involve filmmakers going back and either reexamining their earlier work, or in the case of this fall's Blade Runner 2049, seeing a new chapter being brought to life by a different director with a new perspective. More and more, as with Star Wars, filmmakers are being tasked with breathing fresh life into a beloved franchise, while making sure it carries the familiar aromas of nostalgia. With Alien: Covenant, legendary director Ridley Scott has already revisited the world of his groundbreaking 1979 Alien with Prometheus, an incredibly divisive film that this reader loved, but which is derided by many. With Covenant, Scott has dunked his Prometheus donut into the original Alien and made a semi-sequel to one, while virtually remaking the first.
Almost 80, Scott remains an incredibly prolific and dynamic filmmaker. A commercial visionary who can still rock the box office with a film like The Martian. I went into Covenant giddy with excitement. What's vexing to me is that while Scott's direction and sense of scope is totally on point and exhilarating, the script (from John Logan and Dante Harper; story by Jack Paglan and Michael Green) goes out of its way to repurpose and restage numerous beats from both Alien and James Cameron's sequel Aliens, that Covenant ends up at times feeling a lot like an Alien remake, made for a 2017 audience presumed to be unfamiliar with the original. Unfortunately, for much of its running time,  Alien: Covenant feels more than a little recycled.
The Covenant is a deep space colony ship, her crew in suspended animation for the long voyage. Like David in Prometheus, a lone synthetic (Michael Fassbender, called Walter here) is tasked with watching over the sleeping voyagers - until an accident unexpectedly wakes the crew early. It turns out there's a nearby planet that may be an even better candidate for colonization than their original destination, so grief stricken crew members Katherine Waterston (of Fantastic Beasts and Where to Find Them) and  Billy Crudup lead a scouting party to explore the planet, while the rest of the crew (including Danny McBride) remains in orbit on the Covenant.
Once on the planet, things start to go wrong very quickly. The first and third acts of the film are full of dread and escalating suspense. I loved the Neomorphs, ghostly pale cousins of the original Alien Xenomorph with blind, distended heads. They're utterly nightmarish and disturbing. Likewise, the newer, seemingly larger Xenomorph is speedy and terrifying. Though the creatures in this outing go from embryonic to full-grown way, way faster then in prior (meaning future) outings. Like Jiffy Pop fast. Though pretty familiar sledding for Alien fans, for the most part I liked Act 1 and Act 3 of this picture, replete with call-backs as they were - the exploding dropship from Aliens stranding everyone; the gutsy protagonist using a large mechanical claw to fight close-quarters with the beast; her triumphant declaration of vanquish! Finally making it back to the ship - sigh of relief - and everything's fine - or is it?! Too many times, scenes in Covenant echo with recognition.
But, boy - that middle part. Act 2 is a lugubrious drag, and when Covenant's Walter meets Prometheus' David, the "Data vs. Lore" dynamic drags on like some kind of dimly lit outtake from Colonel Kurtz's temple hideout in Apocalypse Now. While members of Covenant's crew are dispatched with escalating carnage, Walter and David go from ruminating on Shelley's Ozymandias to knock-down drag-out martial arts mayhem. The cast is uniformly good. I loved Fassbender's work, pulling double-duty as synthetic narcissist. Why David does what he does is pretty inexplicable, however. Waterston and McBride are both extremely engaging, and McBride does a great job inhabiting the kind of working-stiff character Harry Dean Stanton and Yaphet Kotto embodied in Scott's original.
Beware of the most ham-fisted shower scene since Jolene Blalock slathered on the "decontamination gel" in the Star Trek: Enterprise pilot, and a finale twist that unfortunately, everyone is going to see coming from miles away - except the one character who should have seen it coming. Cinematographer Dariusz Wolski shoots in a nearly colorless monochrome that really gets old after a while. This is one of the grayest, least colorful films in recent memory. I have to say, with a few exceptions, I really think I enjoyed Prometheus a lot more than Alien: Covenant, which surprises the heck out of me. After the engagement and pure fun of the recent Guardians of the Galaxy Vol. 2, Alien Covenant just isn't all that enjoyable and feels like a bit of a slog in comparison.
But if the earlier Alien films are kind of fuzzy in your recollection and you're just in the mood for a good space shocker, you could do a heck of a lot worse - though I'm not sure that's much of a recommendation.

Wednesday, May 17, 2017

FIRST TRAILER: Star Trek Discovery!

Here we go, our first look at the new CBS series, Star Trek Discovery. We definitely get an Enterprise vibe here, with better production values. Lots of Sonequa Martin-Green and Michelle Yeoh - a bit of a "Riker, you're ready for your own command," vibe between them. A fair amount of Klingons, a lot of crazy aliens. Martin-Green's Commander Burnham appears to be part Vulcan.

Intriguing, no doubt. But the biggest hurdle CBS has to face is convincing fans to sign up for a brand new pay channel to get this. A colossal mistake not putting this on Netflix, as it's going to be in many other parts of the globe.

Still, have a look and see what you think. Please be good and have good scripts!

Tuesday, May 16, 2017

War for the Planet of the Apes: Final Trailer Takes No Prisoners

Looking ahead to July, I'm seeing one very busy weekend! On Sunday, July 16th, Game of Thrones returns, and now I see that the night before, I'm abso-poso-lutely going to be sitting in a theater watching War for the Planet of the Apes. I mean, just look at this thing! Director Matt Reeves did a smashing job in the last Apes outing (Dawn of), and in this latest and final trailer, we get our first real look at the epic, apocalyptic clash between man and ape.

I think I'm gonna be rooting for the apes...

 

Tuesday, May 9, 2017

Hellboy 3: We Need To See Other People...














Sometimes fidelity can be a moving target. It was just mid-February when an initially optimistic Guillermo del Toro took one last shot at resurrecting the Hellboy franchise, bringing the saga to a close with a trilogy-ender fans had long been clamoring for. But she gave back the ring. "Sorry to report," del Toro Tweeted, "Spoke w all parties. Must report that 100% the sequel will not happen. And that is to be the final thing about it."

Well, G, she's getting married, she's just not marrying you.

Word has come from none other than Hellboy creator Mike Mignola that Big Red will be getting a reboot, and that Hellboy 3 is happening, but with director Neil Marshall (The Descent, Game of Thrones) at the helm, and Stranger Things' David Harbour replacing Ron Perlman, in an R-rated chapter titled Hellboy: Rise of the Blood Queen, with script by Andrew Cosby, Christopher Golden and Mignola, with Aron Coleite polishing the script for Marshall.

This is crazy, mixed emotion time news. Del Toro is the genius master of monsters and really gave Hellboy his soul. His two outings with Ron Perlman have a rabid cult following, and Perlman - hell, Perlman is Hellboy. But at the end of the day, Mike Mignola is Hellboy's creator - his daddy. And he has a big influence.

We may never fully know what happened, but word has it that the third film's cost was the deal-breaker, with del Toro insisting on a larger budget to depict his epic vision. Producers opted to reboot instead.

I really feel for Guillermo. He gets passed over a lot, having missed out on The Hobbit and the Pacific Rim sequel and still unable to mount his dream project, At the Mountains of Madness. But he's a complete visionary and one of the most talented filmmakers there is. He's the ringmaster of a cinematic bestiary and I hope that when The Shape of Water opens in November, it receives such acclaim that he gets an Oscar nomination.

Don't get me wrong - with franchises and properties, sometimes it's an open marriage, and sometimes you just move on. I'll see anything with Neil Marshall's name on it and I'm excited to see what he and David Harbour come up with. I'm just excited we're actually getting a new Hellboy and sometimes a fresh perspective does wonders.

But my heart goes out to Perlman and del Toro. They gave their all to this brimstone bad-ass, and I'm guessing they're feeling more than a little betrayed right about now. Here's wishing everyone involved fantastic and rewarding work from here to the horizon. It's not you, it's me.

Monday, May 8, 2017

The Blade Runner 2049 Trailer: "Revel in your time...!"

It's finally here! The first full look at Denis Villeneuve's long anticipated replicant continuation, Blade Runner 2049! And does it look gorgeous - and very much kindred to Ridley Scott's 1982 original. Colossal neon-scapes still dominate cities, and Atari is still a force to be reckoned with...



We glimpse the birth of a replicant, from some insane freezer pop birth canal...



A Tyrell Corporation landing pad? I'm assuming as much...



One Blade Runner seeks out another, fully aware of his snares and traps...



















Deckard has a dog as a companion - I'm guessing it's synthetic?



















...and because Deckard is still Harrison Ford, he throws a mean punch!



It looks like our hero will be both mulling over the nature of his existence, as well as fighting for his life.










































Perhaps most fascinating are Jared Leto's character's comments that "every civilization was built off the back of a disposable work force," and Robin Wright's admonishment that "the world is built on a wall that separates kind. Tell either side there's no wall, you bought a war." This dialogue suggests that Blade Runner 2049 may be much more political and relevant to where we're living now than we'd suspected - which bodes well.

Here it is again, on the off chance you've missed it. Me, I'm still amazed we're getting this - that after all these years, we're going back in that world again. October can't come soon enough!

Sunday, May 7, 2017

F is for Family: The Glory of Guardians of the Galaxy Vol. 2


I can think of no better way to kick off the summer movie-going season than with Guardians of the Galaxy Vol. 2, a film that for my money serves up an even richer helping of audience-pleasing glee than the original film. I just loved this movie. I'm going try like hell to stay spoiler-free, because Guardians Vol. 2 is one of those films that is so jam-packed with surprises that part of the joy is in discovering them unexpectedly, so I'd urge you to make haste and see it ASAP, before the shelf life of the various delights and cameos become common knowledge. I will definitely be seeing this in the theater again as soon as possible.

Writer-Director James Gunn has really done something amazing here - he's managed to make a sequel that echoes what audiences loved about the original, but he also gives us a very fresh take on the universe and most importantly the characters, getting us deeper into their thoughts and circumstances.

A huge piece of Guardians 2 is Peter Quill's (Chris Pratt) discovery of his father - a being played by none other than Kurt Russell, who just frickin' shines here. I've been a Russell fan my whole life, and having him be this kind of character in the Marvel Universe, well - it kind of feels like Christmas. The way we first get introduced to Russell via flashback...it's extraordinary. I don't want to give it away, but my jaw was on the floor and I could not stop smiling. Clearly anything is now possible.


Peter Quill's got a lot to deal with - the pull of the past and the needs of the present, and Chris Pratt does a splendid job here. The core Guardians dynamic is better than ever, with Rocket, (Bradley Cooper) Drax (Dave Bautista), Groot (Vin Diesel) and Gamora (Zoe Saldana) all getting ample opportunities to explore their characters. Gamora really gets some fantastic moments, as the sibling rivalry between her and Nebula (Karen Gillan) really takes off here, including a spectacular sequence that tips its hat to North by Northwest, as well as perhaps the most awesome firearm ever seen in movies.

There's a lot of joy to be found in Guardians' new characters, including Elizabeth Debicki as golden-hued Ayesha - she projects the kind of eerie power that reminds you of Cate Blanchett or Tilda Swinton. She's someone to watch. Likewise Mantis (Pom Klementieff) is terrific as an empathic fellow traveler who's bound to become a fan favorite. Her scenes with Drax are just a delight. But in this teeming cadre of cool, if anyone's going to write their name in the history books it's Michael Rooker. Rooker has always had that incredible charisma, the likes of which only actors like Lee Van Cleef or Christopher Walken can muster - and Rooker bloody rules this movie, he's barely containable, and in a lot of ways the soul of the movie. 

Harper Lee famously said, "You can choose your friends but you sho' can't choose your family..." and that idea of finding who you're a part of and deciding who matters to you is what Guardians 2 is all about. The Guardians are all misfits. And misfits have a hard time fitting in. And I suspect what's going to make this film strike a chord with audiences and do enormous business is tapping into that need for belonging that is one of the most powerful emotions there is. We don't all come from perfect families, and if you're lucky, you may get a chance to make your own family out of those who matter to you the most.

Fair warning, I was completely unprepared for how emotional an experience Guardians Vol. 2 was - though in hindsight, after the opening scene of the first one, I should have never forgotten James Gunn's ability to move you to tears. And I freely admit I cried like crazy in this movie. I won't say when, or why, but you're gonna be moved. It's also got the best use of a Cat Stevens song in any move ever - period, topping even Harold and Maude. 

We're living in a pretty crazy, often scary age, and finding a place where you fit in can sometimes feel impossible. Thank you James Gunn for weaving a ridiculously entertaining space yarn that lets us all laugh like maniacs and actually reflect a bit on what it feels like to be cared for and to care back. 













Friday, May 5, 2017

TRAILER ALERT: An epic Dunkirk and a big surprise coming Monday!

Today brought our biggest glimpse yet of Christopher Nolan's World War II opus Dunkirk (July 21st), ant it looks truly stunning. Along with Murder on the Orient Express, this seems to be Kenneth Branagh's big year, and with Tom Hardy defending the airways, Dunkirk feels like the kind of epic, heart in your throat historical combat film the likes of which we haven't really seen in decades - Saving Private Ryan not withstanding. I mean, look at this...!


And if that's not enough excitement fpr you, here's 15 seconds of wow - a sneak with new footage for the full trailer for Blade Runner 2049, coming this Monday!!! This is a massive big deal. Feast your eyes...

Wednesday, May 3, 2017

The Dark Tower Trailer!

The word had been discouraging, and disappointment hung in the stale air.

Word had it that The Dark Tower had stumbled, and that those who'd seen an early glimpse of footage from the film were more than a little disappointed.

But today, today the first trailer hit. And while this isn't exactly The Dark Tower of Stephen King's novels - it feels like more of a riff - what we see is definitely in the spirit of The Dark Tower, and I for one felt more than a little encouraged by what we saw today.

We saw Idris Elba, glowering and dealing in lead, as Roland...



We saw Matthew McConaughey as The Man in Black. I still feel he's a testament to the risks of actors lending themselves to advertising, as every time I see him now, it feels like some smirking take on a Lincoln ad. But there are hints of appropriate darkness here, so I'm game...



We see worlds within worlds, and on the desk of the boy's therapist, we see my beloved Timberline Lodge, filling in as The Overlook Hotel from The Shining... 

















And we see the ruins of a bygone carnival midway, featuring "Pennywise," with the husks of balloons still aloft in the mist...















This feels like it could indeed evoke what's great and grand and thrilling about The Dark Tower, if a few degrees removed from what we all hold dear.

Let's have another look at that trailer...!